![]() He is clearly uncomfortable about what he saw, but tries to justify at least the intentions behind it.Two years later parts of this private material were used for chapter VI of I Sverrig (English translation Pictures of Sweden, both 1851). Later on the same day, Andersen described his conflicting impressions and thoughts in his diary. However, during his second journey in Sweden, 1849, he was confronted with a novum : a prison structure built according to the segregated cells-system with a panoptical centre – a phenomenon described by Dickens in American Notes (1842, Danish translation 1852-53) and studied in more recent times by Michel Foucault as part of the history of the techniques of segregation and repression. Hans Christian Andersen is normally not mentioned here. ![]() Famous first examples include stories by Steen Steensen Blicher and Søren Kierkegaard. ![]() (for corresponding full text in English, see Talk Vancouver '10) In Danish/Scandinavian literature the period from the 1820’s to the middle of the nineteenth century saw the introduction of a new way of narration, epitomized by what we today usually call the unreliable narrator – or perhaps better: narrated narrator – as part of a novelized, polyphonic discourse. ![]() ![]() REFLECTIONS ON THE NARRATED NARRATOR IN ANDERSEN, BLICHER AND KIERKEGAARD. "“JEG” AND “MAN”: A COMPLEX RELATIONSHIP. ![]()
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